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If you're having trouble getting the part to sit, try backing off some of that stuff. And a rhythm part that sounds huge and menacing by itself might just sound like mud or noise in a mix if it's slathered in verb and distortion. Even a downtuned, heavy, chunking riff doesn't need so much low-end that it muddies up the bass guitar part. Maybe try a Soldano or modern Marshall model for lead parts.Ģ) A lot of times, a model that sounds good by itself will have too much bass, distortion, and/or verb once it is in a mix. If your sim has models of those, one of them might have the sounds you're looking for. Other amps you see those guys playing include Bogner Uberschalls, Diezels, and the big Peaveys (5150s and later).
GUITAR RIG PRESETS DROP TUNED SIMULATOR
I would guess that any simulator package would have a model for that. I hope this was a good starting point for you.ġ) As I recall (nu-metal isn't exactly my scene), the original "template" was Ibanez 7-strings and Mesa-Boogie Dual Rectifier stacks. While I love the amp sims, they will never come close to real sound of a miced amp in a really good room. I have been asked in metal situations to multi up to six tracks of rhythm with six different combinations of guitars and amps! This is just to start. Take into consideration also the huge guitar track you are listening to could be several tracks mixed together of different guitars and different amps mixed to sound like one track. Rock tunes could be anything at your disposal. Gibson 175,L5,Super 400. Usually through a very clean Fender,Polytone,or even solid state amp. Depending on the artist you try to copy in Blues,it could be Marshalls or Fenders.
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Blues is everything from Les Pauls,335,Strats,Teles. Most country sessions are Tele and a Fender or Fender type amp. As such I can tell you as a guitar player,for some certain styles of music there are certain given instruments. I have been lucky enough to make a living as a musician,producer for over 40 years.